Frankenstein
Based on the novel by Mary Shelley
Playwright: Nick Dear Scenic Designer: Sean Haffey Media Designer: Ben Nicholson
Director: Susan Felder Lighting Designer: Sharon Huizinga Wig and Makeup Designer: Kelly Yurko
This version of Frankenstein is told mostly from the monster’s perspective and is more faithful to the novel. My design concept for it was based on the textures of woodcuts and pen and ink drawings and the repetition of fractal patterns in nature
The first appearence of the Creature and the cloak he takes from Victor and uses as an unwitting disguise
I wanted this to resemble skin and the stitching on it to show that Victor practiced his sewing here, before he moved to the Creature
Victor's lab looks one and two. These are similar but with more disheveling and distressing on the second look
Victor's first lab look was made to have a bit of rebellious glamour that would contrast him with more typical regency styles
When the creature reaches the streets of the city, he sees the people there as monsters
The industrial revolution is in full swing and the people have become de-humanized by industrialization
The Industrial Revolution Chorus had most of their bodies obscured in exaggerated period fashion.
Gretal is a prostitute that the Creature inadvertently rescues from an abusive client.
Gretal's clothing was very accurate period clothing with the colors chosen to mimic the Industrial Revolution Chorus rust dyeing
Klaus is one of the beggers that the Creature encounters in the forest after he's chased out of the city
Gustav is another beggar who flees the Creature and later, along with Klaus, attacks him and teaches him about pain.
The looks of the beggars were based on layers of old ragged clothing piled on them because it was all they owned
This look was designed to make the Creature look more innocent and vunerable
Delacey is the matriarch of a family of poor farmers who live in the forest. She befriends and teaches the Creature
Delacey's look was inspired by Enlightenment thinkers and was deliberately worn and out of date.
Agatha is Delacey's daughter in law and her beauty and optimism inspire the Creature
In this play, red is the color of violence, the people who wear it either are victims or perpetrators of it. Agatha is one of the most tragic victims in this play so she wears a lot of red
Felix is Delacey's son and share's his mother's look of much mended clothing with a few more utilitarian touches such as an apron
Felix has a touch of red in his stockings to foreshadow his death and the death of his family which comes after he attacks the Creature.
The Creature dreams of a mate, in the form of a beautiful female, who is like nothing on earth.
I wanted the Female Creature to have an unearthly beauty that mimics the look of black mold, to give her a strange link to nature.
The Creature's coat is made of various skins of animals, that he, like his creator, gathers and assembles without empathy
The Coat was chosen to give him more bulk and make him look imposing.
In this play, red is the color of violence. Victor's Fiancee Elizabeth has this color on all her clothing, foreshadowing her death
Elizabeth is the most fashionable character but she also has a no-nonsense personality so most of her clothing is based on clean lines and fine fabrics, not ostentatious trims or cuts.
William is Victor's young brother and is a young child, so I dressed him in a costume that would highlight his youth
William is also wearing red, as he is murdered by the Creature
M. Frankenstein is Victor and William's father and the wealthy head of the Frankenstein household. He was intentionally dressed in out of date clothing, but unlike Delacey, his are newly made of fine fabrics
Frankenstein's earth tones contrast with his son's more flamboyant colors and show he doesn't understand his son's brilliance
Clarice is Elizabeth's ladies maid. Like M. Frankenstein she wears earth tones, to show her more levelheaded personality
As a ladies' maid, Clarice would wear more fashionable clothing, usually gifted to her by her mistress.
Though servants in this era, would sometimes wear the older clothing of their masters, this was the beginning of them wearing uniforms. I chose to have them uniform, so they would be identifiable as servants.